Obfuscation and Aesthetics: Patterns Inside Envelopes
by Samuel Nohe Ireland
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About the Book
"There are a multitude of patterns inside envelopes that I find both aesthetically pleasing and nostalgic and that I associate with bills, banking, insurance, and the never-ending responsibilities of adult life. These envelopes serve to capture capital from individuals and funnel it to large corporations. In other words, one must square the beauty and nostalgia of the patterns inside the envelopes with the secrecy, obfuscation, and unfettered greed of the financial institutions of late capitalism/neoliberalism, or 'capitalism with the gloves off.' They can be viewed purely formally for their beauty, as one escapes into their pattern, and/or for their sense of obfuscation in a highly financialized and stratified global society in which individuals’ lives are subsumed by large multinational corporations, typified by wealth inequality and laissez-faire governance with regressive taxation and decreased social safety nets."
Mr. Ireland does not make a profit from the sale of his books as his goal is to share his work with as wide as possible of an audience.
Features & Details
- Primary Category: Arts & Photography Books
- Additional Categories Fine Art Photography, Fine Art
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Project Option: 6×9 in, 15×23 cm
# of Pages: 34 -
Isbn
- Softcover: 9798349926198
- Publish Date: Apr 28, 2025
- Language English
- Keywords Capitalism, Mail, Envelope Patterns, Neoliberalism
About the Creator
Samuel Nohe Ireland is a 2025 candidate for an MA in Photography at The Royal College of Art in London, UK. He holds an MA in Contemporary Art from Sotheby’s Institute of Art, NYC where he focused on Conceptual Art and Relational Aesthetics, specifically writing about the work of the Danish artist collective Superflex. Mr. Ireland also holds an MBA degree from Portland State University and an undergraduate degree from The University of Arizona in History/Art History. He spent many years working at the Kunsthalle Museum of Contemporary Art (MOCA) Tucson, in the Sonoran Desert, where he was born and raised. At MOCA Tucson he served in many different capacities, beginning as an intern and eventually becoming the institution’s Executive Director. He has since served on the Board of Directors and is currently a member of the Ambassador Council. He enjoys traveling, art theory, production, and collecting, political and economic theory, and rigorous debate. He sells his books w/out profit.